Past Lives, from two Oscar nominations to box office success

Review of the film Past Lives, nominated for two Oscars

First at the Box Office in many European countries, Past Lives is one of the films of the year

Past Lives is already considered one of this year’s standout films, despite being only at the start of its international theatrical run. The movie premiered in 2023 at the Sundance Film Festival, then went on to be featured at some of the world’s most prestigious festivals, including the Berlinale, where it earned widespread acclaim and awards. The film, which also received two Oscar nominations, tells the story of two individuals in the simplest of ways while transforming it into an extraordinary tale. It conveys deeply complex emotions—suspended between regret, love, the yearning to have explored parallel lives, and that elusive feeling of longing for the unattainable. While such themes are difficult to put into words, Past Lives succeeds in bringing them to the surface through its lighting, editing, narration, and performances. This level of cinematic achievement is even more remarkable given that it marks the directorial debut of Celine Song, who also wrote the screenplay. Born in South Korea and raised in Canada, Song brings a deeply personal perspective to her storytelling, which resonates strongly with audiences worldwide.

The film’s narrative centers on a young woman who, during her adolescence in South Korea, experiences a brief but intense love affair shortly before moving to the United States with her family—leaving Seoul and her youthful love behind. Years later, a series of coincidences prompts her to search for the boy on Facebook, finding him again and awakening nostalgic feelings. Despite the distance and their respective current relationships, the two begin to communicate through Skype, developing a deep emotional bond that eventually draws them hopelessly to one another, even with the challenges of meeting again in person.

Past Lives stands out for its narrative depth, relying on intimate dialogues that allow the viewer to catch the unspoken and subtle emotions, as if secretly observing from the outside. The film’s magic lies in witnessing the evolution of complex and unusual feelings between the protagonists, creating a truly unique visual experience. Another remarkable element is the role of the protagonist’s boyfriend in New York, which adds a fresh layer of originality to the story. Rather than relegating him to the stereotypical role of a jealous partner, Celine Song gives him depth and individuality, leading him to make choices and adopt behaviors that, while difficult to accept, remain fascinating to analyze. This narrative decision not only enriches the plot but also highlights the director’s keen understanding of both the main and secondary characters, elevating the film’s storytelling quality.

Past Lives: reflecting on the past and nostalgia

The film stands out as one of the most remarkable of the year, not only because of its story and the nominations for Best Picture and Best Original Screenplay at the 2024 Oscars, but also because it inspires profound reflection in its viewers. A key strength lies in the way the film handles its multilingual dialogue: the language barrier between the characters—she recalling fragments of Korean, he speaking rudimentary English, and the presence of a third character completely unfamiliar with Korean—proves essential to the plot. This deliberate choice preserves the authenticity of linguistic and cultural diversity, enriching the cinematic experience and reinforcing the film as a bridge to the protagonist’s past world.

Past Lives presents itself not so much as a traditional love story, but as a deep meditation on time and nostalgia, a feeling so powerful that it transcends all others. Through the finely drawn trajectories of its protagonists and their delicate interactions, the film invites the audience to imagine a parallel narrative: the life unlived. Regardless of cultural background, gender, or personal experience, Past Lives evokes a strong sense of identification, prompting viewers to reflect on what the protagonist’s life might have been had she never left Seoul and her first love. She is now an artist; he remains deeply influenced by Korean culture, striving for his own success. Despite their apparent differences, their connection suggests that reality would have been far more nuanced than a simple “what if.” The film concludes with a hauntingly beautiful scene: a silent finale on a nighttime sidewalk, a moment that encapsulates the essence of great cinema—its ability to hold the viewer’s attention and emotions in unforgettable ways.